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Faculty Accomplishments

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Carolyn Shread

Honor

Invited speaker at S茅minaire d鈥檃xe 4 Traduction et m茅diation at the Universit茅 de Lille, France, where she gave a presentation online entitled "Penser la plasticit茅 en traduction" on November 30, 2022.

Gave a guest lecture, 鈥淭he Pleasure of Translating Catherine Malabou鈥, at S茅minaire Climas Intersections, Universit茅 de Bordeaux Montaigne, France, on 22 October 2021

Kate Singer

Publication

Singer, K. (2025). Shelley's Sexless Sexuality. In R. Wilson (Ed.) _Percy Shelley in Context (pp. 158-164). Cambridge University Press. 

Singer, Kate. (2023). 鈥淔rom It鈥檚 the End of the World as We Know it and I Feel Queer: Mary Shelley, Queer Affect, and Shapeshifting Through The Last Man.鈥 In Chris Washington, Editor, The Last Man: A Norton Critical Edition. W. W. Norton.

Singer, K. (2022). 鈥淪hapeshifting Romantic Consciousness." In Richard Sha and Joel Faflak (Eds.), Romanticism and Consciousness, Revisited (pp. 311-338). Edinburgh University Press.

Singer, K. (2019). Romantic Vacancy: The Poetics of Gender, Affect, and Radical Speculation. SUNY Press: Albany, NY.

Singer, K. "'It's the End of the World as We Know It and I Feel Queer': Mary Shelley, Queer Affect, and Shapeshifting through The Last Man." In K. Singer, A. Cross, and S. L. Barnett (Eds.). Material Transgressions: Beyond Bodies, Genders, Things (213-232). Liverpool University Press.

Singer, K., Cross, A. & Barnett, S. L. (Eds.) (2020). Material Transgressions: Beyond Bodies, Genders, Things. Liverpool University Press.

Singer, K. (2019). Automatic for all: Mary Shelley's posthuman passion. In Michael Demson and Christopher Clason (Eds.), Romantic Automata: Exhibitions, Figures, Organisms (pp. 128-145). Bucknell UP.

Honor

Singer, K. (2025 Aug. 12). "Dorothy's Flora, Keats's Lamia, and James Allen's Horses: Shapeshifting and the Labours of Slow Change [Keynote Lecture]. The Wordsworth Conference, Grasmere, Cumbria, UK.